Almost Famous, conclusion

Stillwater is at a crossroads at which point their star could rise exponentially or crash into obscurity. Add to the mix their skepticism yet tacit acceptance of William, the 15 year old “devil” could either be the best thing that ever happened to them in their quest for fame, or he could destroy them. Not unlike passing a car wreck, you can’t look away. If you do, you will miss the real.

Real is a big thing to Stillwater. Russell really is about the music. Beyond the fans, the industry and the personality conflicts, the thing that is real to him is the music. Enter the most memorable segment of the movie, when an exasperated Russell, reeling from a band argument, heads out on his own on a quest for “something real”. William accompanies him, and it is at this point that the culture of devotion and love for the music by the ones that matter, the fans, is accurately and beautifully depicted. He ends up at a house party with a huge sample of his true demographic; partying long-haired teenagers who seek refuge in a keg, recreational drugs, and music. Russell is ecstatically welcomed to their party and this party is so much like ones that I, and most every baby boomer in 50 states attended. The party goers don’t swarm him, beg autographs or perform any other typical celebrity worship, instead they just welcome him. They get to know him. They share their love for music, his and every other band. They just connect in a “just say whoa” kind of way. These were my favorite people of my youth. There was no pretense, no posturing, no fights. Just good, mellow and let’s face it, stoned people having a good time talking and listening to music. It was just what Russell needed. It was real.
Of course, the party eventually gets out of hand when Russell takes acid, culminating in one of the premier moments of the film when Russell climbs to the top of a garage and deafeningly declares that he is a “Golden God!” and jumps into the pool.
In the morning, the real-world calls as the bus shows up and the band retrieves their out-of-it guitarist. Tensions are high. They are pissed at him, and he doesn’t care. The tension on the bus as they travel to their next gig is thicker than LA air pollution. As they sit in angry silence, Elton John’s Tiny Dancer comes on the speakers. As the song builds the band and Band Aids gradually lose their scowls, stop glaring at each other and begin to move. Gradually at first, then a little more. Then the drummer taps to the music and by the time the chorus hits and Elton belts out “hold me closer tiny dancer” they are all smiling and singing along. Goosebumps are had by all. And there it is, the point of it all, the thing that made the most sense to me. The music, in all of its magnificence has not only the power to inspire, but it can also heal. The band is reminded at this moment why they are doing all of this. It’s about the music. It’s always been about the music.

William never gets his interview. Russell tells him as they part ways to write what he wants. William does. He tells the truth, following the advice of Lester Bangs. “Tell the truth. All of it. And be merciless.” Rolling Stone loves it, despite the realization that the writer of their cover story (the goal of the day was to be on the cover of the Rolling Stone after all) is 15 years old. All is good in the world until the band (not Russell) get spooked about the possible fallout of the story and tell Russell to deny all of it, crushing William and his credibility. The story is squashed.

There is a happy ending. Russell, in his adherence to the “real” eventually tells Rolling Stone that every word was accurate after all. But not before going to see William and giving him the long overdue interview.

As you can probably tell, I love this movie. I turned a simple Billy Mac movie review into a think piece on my love for the music and the era. I suppose I’m so into this movie because I am also on a constant quest for the real. I have never been comfortable with pretense and superficiality. Maybe that is the best way to summarize my feelings on music today; beyond my hatred for over-production, auto-tuning vocals, unimaginative and uninspiring lyrics and music that seems to have no effort behind it is my belief that the artists of the era made the music unapologetically their way. It was quality. It was eternal. It was the hallmark and peak of their creativity and artistic vision. The music of yesterday was better, even on scratchy vinyl. I can say this because it survived the ultimate test. That of time.

One last thing…

Almost Famous

Every once in a while you see a movie that not only gets under your skin, but penetrates your soul. I know, strong words. But strong emotions require strong words. Music, especially the music of my formative years, evokes powerful feelings in me. The soundtrack of my formative years was the Rock and Roll of the 70’s and 80’s. Post Motown and R&B and pre Disco and the New Wave synthesizer-laden shit of the 80’s were the Super and almost but not quite super groups of the 70’s. Groups that put out amazing efforts of exhaustively complex, soulful and often life-changing music with less regard for commercial success but instead a quest to create something that would transform, inspire awe, and stand upright longer than a few radio cycles but instead stand the ultimate test of time. Music that packed arenas and penetrated basement dwellings, house parties and the comfortable confines of adolescent bedrooms where legions of kids found a connection, a soulmate in the music. For many, it was life-changing.

You’ve probably gathered that I am a music lover. Most certainly. But I am a larger fan of the era, the culture that rock and roll created. I have always been a student of the cultural events that led to the inception of the music, it’s impact and most importantly the link to an actual identity. The late 50’s and early 60’s marked the first time in history that the youth of America had their own music. The days of listening to Mom and Dad’s music was over. It was the final piece of the puzzle that was the cultural revolution of the second half of the 20th century. The youth of America had asserted themselves as a cultural force, a separate and powerful demographic that demanded to be heard but had formerly lacked an identity outside of the umbrella of the nuclear family. They rebelled against the puritanical Patriarchy and demanded to be heard. At first it was Chuck Berry and drive-ins and carhops. The parents tolerated it but called it harmless. Then came the 60’s and Bob Dylan, Joni Mitchell and the massive music festival Woodstock became the voices and symbols of the counter- culture. The patriarchy became concerned. The once (somewhat) obedient youth of America had begun to rebel and the Poet Laureates with guitars provided the soundtrack of the new generation. Once Vietnam dominated the cultural Zeitgeist the divide was nearly complete as the youth of America rejected the thinking of the previous generation about so many aspects of society. It was a us vs. them. By the 70’s the generational divide was established. But behind the political and cultural impact there was the music.

In 1977 I was 14 years old. 14 is the age often cited by those in the know as one of the formative years of development and it is theorized that the music you enjoyed at that age would be the music you would love forever. At 14 I was a lost soul. An only child that didn’t understand the world around me. Desperate for guidance (I always wished I had an older brother) and hungry for acceptance I needed something, anything to identify with. I was an awkward kid. I was bullied. I dressed badly. My hygiene needed work to say the least.
I loved to read but hated school. Still, I was considered smart. I was offered a double promotion in 5th grade. My family said no because I was already young for my grade and skipping 6th grade would have made me the youngest 7th grader by far and my parents (correctly) concluded that the bullying would only get worse. Subjecting me prematurely to even bigger kids was not a winning proposition. It didn’t matter in the end. Regardless of my age, the bullying in middle school was as predicted by my parents. My school day consisted of being slammed into lockers and having my books dumped in the hallway.
But I was still considered smart. But that also put a target on my back in my school. The mouth-breathing Neanderthals that bullied me resented those of us that could count past 11 without taking our shoes and underwear off and they lashed out. So, I withdrew academically. Once a B plus to A minus student in elementary school, I became a C and D student. I was frightened and angry and my grades suffered terribly. I would never really recover. Not that I was ever destined for academic greatness, but I never reached my full potential. I became sullen and withdrawn. Good enough to get by was my mantra.

Enter Rock music…one of the only companions I could count on in life.

In 1977 I joined the Columbia Music record club. Remember that? Buy 8 records or tapes for 1 dollar with a commitment of one at full price per month. And no-one ever paid. I chose to let them send me the selections of the month. My music collection to that point was oldies. I always loved the 50’s music of doo wop. I even enjoyed to a degree the surfing shit by the Beach Boys. But I had never really gotten into 60’s and 70’s Rock. The first shipment contained 5 albums. Boston’s original album, Fleetwood Mac’s Rumours, the Doobie Brothers’ greatest hits, Simon and Garfunkel’s greatest hits, and Meatloaf’s Bat out of Hell. I had found my muse.
I’m not sure why I didn’t listen to the radio that much but it was clear to me that this music had been around for a while but I had never really listened to it. I was too busy reading. Suffice to say that I was hooked. I couldn’t get enough of the driving drums, guitars and production of Boston, the fusion of pop influences and original compositions of the music of the Doobies, the ethereal vocals of Christin McVie and Stevie Nicks (I also fell in love with Stevie Nicks for other reasons typical of the hormonal teenage boy), the folksy but eternal harmonies and lyrics of Simon and Garfunkel. As for Meatloaf, I really don’t have words. That album was like nothing anyone had ever heard. From that moment on, if I was awake, I was listening to music. If I wasn’t home I carried a Transistor radio(remember them?) and later a Boom Box. I spent every penny I had on music and all of my time immersed in it. My journey had begun.

My friend Marc and I spent a lot of time hanging out. He was way ahead of me on his musical journey and had a formidable knowledge of it as well as a very repectable record collection. He played for me Rush, Black Sabbath, Iron Maiden, Bruce Springsteen, Led Zeppelin and The Who, just to name a few. We sat transfixed in his basement bedroom as we absorbed the lyrics and played epic air guitar solos, slowly grooved to intros and solos that tantalized the senses, often building to orgasmic levels. We were there, eyes closed and hanging on every note. To say that it was transformative is a true understatement. Music was so much more than just simple entertainment. It was my haven, my escape, it spoke to me. It would become the music that I would love for the rest of my life.

The only thing that I would come to love as much as music was movies. Imagine my joy when I discovered a movie that would help me rediscover my love and passion for music, and the impact of it on my life.

Enter Almost Famous. The movie that just plain fucking NAILED it.

to be continued…

Clouds

As I am prone to do, I triggered myself with yesterday’s post in which I spoke of my longing for the past and embracing my silly, if not immature side as a defense mechanism against the corrosive environment of today. I found that this is a subject that cannot be handled in one post.

In a famous intro to Pink Floyd’s haunting Goodbye blue sky, off their magnificent album, 1979’s The Wall, we hear the voice of a child, in all its innocence and wonder exclaim,
“Look mommy, there’s an airplane up in the sky”.

The voice inevitably and necessarily throws me back to the day when the world was a place of beauty and every day was a chance to experience new things. If you were lucky enough to have your mother at your side, she would join you in marveling at the sight of the airplane, as a bonus she would help you identify clouds shaped as animals and before you knew it the sky was cluttered with joyous shapes and future memories.
Ah, precious childhood.
Today, the mother probably would be glued to her phone and mutter,’Ummhmmm, that’s nice honey” without even looking up.

The release of Pink Floyd’s album in 1979 is a powerful memory to me and may explain why that song, and that clip of the child, is so significant to me. It is around the time that I lost my youthful outlook and began to look at each day with dread and fear, not optimism and delight.

I was a notoriously happy child. I was an only child with a mother that worked part time with plenty of time to be home with me and a father that worked his ass off but denied himself sleep to make sure that he did all that he could for me. I played sports. I rode bikes with the neighborhood kids. We went camping in the summer, I went to ball games and went to the park. I loved hanging with my grandparents at their house. We had a big yard. When my parents were unable to occupy and amuse me (something parents feel obligated to do these days) I was able to amuse myself by playing with Matchbox cars in the dirt or voraciously reading books under my favorite tree. Sometimes I would just lie on my back looking at the clouds. I could do it for hours.
As the years of my childhood passed, the toys changed but my attitude didn’t. I remained a happy kid,

The cheerful child in me went away around the time that I entered 7th grade. In my town grades K-6 were in Elementary and 7-9 were called Junior high (now known as middle school). I left 6th grade and the low-ceilinged and safe feeling Elementary school as a small statured but eager student and entered the high ceilings and almost anarchist hallways of the Junior High School as a terrified newbie. My fears were soon justified as the most formidable period of my life began, the age of being bullied.

It was horrifying. I was immediately attacked by the bigger and meaner kids. I didn’t fight back as I was slammed into lockers and sheepishly retrieved the books that were knocked out of my hands as I was walking down the halls. I became an easy target and other kids took a shot at me. I didn’t tell anyone, instead I retreated into myself. The gregarious kid eager for friends, the student eager for knowledge soon became a quiet, nonparticipating C student who sat in the back of the class doodling in his notebook. It was a horrible time of my life and I never recovered academically, socially or emotionally. I hated school, I constantly tried to call in sick and I became a sullen and mostly joyless teenager.

At the age of 55 I look back and know without dwelling on specifics how different my life would have been if I had not retreated into a turtle shell. But many years ago I learned to stop placing blame and acknowledged that there are no do-overs in life and time travel in Delorean’s is not a real option yet. I have shed the resentment for those characters that caused such heartache. I had to. It was weighing me down. I have largely forgiven them and myself. Happily, I have found and embraced the much younger version of me as a way of dealing with the current realities of my life.

The other day I was detailing a car and I was overcome by the heat. I stopped to take a break and sat on my steps with a cold glass of water, catching my breath. Exhausted, I laid on my back. I took a moment to look at the beautiful sky above me. The wispy clouds gently danced before me as they slowly made a pass over me. I reveled in their beauty. I embraced how small and ordinary the world must look from up there. I felt like a kid again, a kid without a care in the world. A kid who saw bunnies and teddy bears in the beautiful blue oasis above.

Look Mommy, I see a airplane up in the sky…